Neither mourning nor celebrating the transition from image to information, this piece shows the gradients of color, contrast, focus and signal that flow through so-called white noise.

Journey from the countryside to the Santiago metropolis with a motley family that includes ex-prostitute matriarch Trans, robber-clown father Payaso and porn star daughter Jot. Their epic search for their family tree brings them head-to-head with cyborg agents of the multinational media corporation that has seized the Chilean capital.

San Francisco underground muse Shawna Virago doles out lyrical pleasure-pain with a sweet growl. This power-femme flashes a whole arsenal of toys, singing, "I do it for the leather, I do it for the power, I do it for the pleasure of two-fifty an hour."

Drawn from the cell phone album of the director, a renowned South African photojournalist, this cell video turns snapshots into transitioning windows that capture the creative lives of New York City transgender/queer artists. Playing with the limits of montage, these moving cell images give impressions of a past-future, just shy of a memoire, vignette, or narrative sequence.

The Transborder Immigrant Tool, developed by Electronic Disturbance Theater 2.0, retools GPS (Global Positioning System) for use on low-tech cell phones to help immigrants crossing the US-Mexican border. The Tool redirects technology used by nation-states to measure territory towards a more universal cosmology of celestial navigation, guiding human border-crossings across time.

This award-winning science fiction film traverses the authoritarian desert ecology of an underground city, struggling to preserve its last natural resources in a futuristic Africa. In this parched dystopia, sedated androgynous citizens subsist at minimum vitality, confined indoors by command of the Maitu Council. A museum curator inside the city's compounds attempts to escape outside, in the hopes of planting a rare, if not extinct, seedling.

Far from just an instrument, the Transborder Immigrant Tool is a mythic, poetic, and erotic recoding of technology. Re-oriented towards the embodied, migrant user of the cell phone, the Global Positioning System (GPS) can be re-rooted in the cellular and transcendental "tradition of migration, a tradition of long walks."

Singer, performance artist, and costume designer Yozmit teleports us into a labyrinth where we witness an initiation through ritual bath. Yozmit's haunting voice, evoking traditional Korean pansori, and her metamorphosing body-costume revel in the interplay between beauty and confinement.