| SATURDAY
NOVEMBER 17
5pm
Maya Deren Theater
The Trouble with Normal
$$
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The Trouble with Normal features work which contemplates the exclusionary
aspects of behaviors, positions or identities. Specifically, these
films and videos deconstruct, interrogate or parody norms to which
one must conform in order to be granted a particular identity or
participatory rights within a group. The program explores the means
by which representation and language offer limited options for conceptualizing
a self and ultimately, the dictates and dilemmas of belonging. Featuring
work by Paula Durette, Ray Rea, Kristin Anchor and Paul Chan. Curated
by Kathy Burdette.
Ladies'
Tea
(Paula Durette, 2001, USA, video, color, sound, 2 min.) A digital
animation that comically outlines/predicts group dynamics at a dyke
bar.
Queer
Things I Hate About You
(Nickolaos Stagias, 2000, Canada, video, color, sound, 5 min.) "What's
wrong with Celine Dion, anyway?"
La
Difference (Rita Küng, 1999, Switzerland, 35mm, color,
sound, 9 min.) A wild animation about a wild imagination. In a bar,
Kim is fantasizing about his desire of being a woman. His dreams
become reality through the help of a bartender who's not what he
seems to be.
Straight
Boy Lessons (Ray Rea, 1999, USA, 16mm, color, sound, 9 min.)
A recently-transitioned trans man rides along in a pickup truck
with a straight boy and gets tips on better performing straight
male masculinity.
Now
Let Us Praise American Leftists (Paul Chan, 2000, USA, video,
b&w, sound, 3 min.) An experimental video animation that eulogizes
and ridicules the American leftist movement of the past century.
Foregrounding the exclusionary nature of American leftists politics,
in its persistent refusal to allow greater diversity of race, ethnicity
and sexual orientation to enter into the larger political dialogue,
Now Let Us Praise presents American leftists as they are: men with
facial hair.
The
Escapades of Madame X (Kerry Laitala and Isabel Reichert, 2000,
USA, 16mm, b&w, sound, 11 min.) An exploration of the conventions
of filming the female body which demonstrates early Hollywood cinema's
complicity in establishing a passive role for women. Using reworked
Busby Berkeley-esque imagery, the film reimagines its Madame X as
sexually, intellectually and physically empowered.
Not
Quite
(Liz Richards, 2000, USA, video, color, sound, 6 min.) A poetic
exploration of the difference between sex and gender, illustrating
how the narrator is caught between perceptions of male and female.
Accidental
Insolence
(Kristen Anchor, 2001, USA, video, color, sound, 8 min.) A collaged
contemporary survey of the interconnections of democratic idealism,
capitalism, authority, youth and homophobia. The juxtaposition of
familiar media images and audio, stock footage, interviews and hand-marked
film beckons questions of identity-making, human agency and control.
The video is a documentary not only critical of the culture of homophobia,
but also critical of the culture of media itself.
Nesting
Season
(Paula Durette, 2001, USA, video, color, sound, 4 min.) An animated
reassessment of typical cycles of attraction and mating behavior.
Even
Lovers Have Still Lives
(Kathy Burdette, 1999, USA, 16mm, color, sound, 18 min.) A meditation
on representation and sexual identity incorporating and intertwining
several well-known cinematic and literary narratives describing
instances of socially prohibited desire.
Co-Presenter:
Center for Lesbian and Gay Studies
The Graduate Center, CUNY
365 Fifth Avenue, Rm. 7.115
New York, NY 10016
contact:
Sara Ganter or Jordan Schildkrout, CLAGS Staff
(212) 817-1955 tel
clags@gc.cuny.edu
www.clags.org
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