| SATURDAY
NOVEMBER 17
1pm
Maya Deren Theater
The Only Way is Up: Web Distribution After the Dot-com Crash
Free Panel!
The year 2000 was a sobering one for many web-based artists, producers
and distributors. With the unceremonious folding of major dot-com
enterprises such as Pop, DEN and Pseudo, many investors decided
to abandon producing "web content." At the same time, some headway
was made by smaller independent web producers and distributors who
took alternative approaches. This panel discussion is intended to
provide queer independent filmmakers working in short digital formats
with a broad survey of the current landscape of web distribution,
in the wake of last year's dot-com collapse and against the backdrop
of the advancing recession. This discussion will range over both
commercially-oriented web distribution avenues and more grassroots
initiatives informed by the great indie spirit. There is still tremendous
unrealized potential for using the web as a distribution mechanism,
and this panel will help queer independent filmmakers understand
how they can tap that potential. Co-presented by the Independent
Feature Project (IFP), 104 West 29th Street, 12th Fl., New York,
NY 10001.
contact: Natalie Bender, Membership Associate, (212) 465-8200.
nbender@ifp.org
www.ifp.org
>> Invited panelists include:
Simon Assaad Partner, Heavy.com
Tammy Rae Carland Founder, Mr.Lady.com
Christa Erickson, Web-based artist and Assistant Professor, SUNY
Stony Brook
Rachel Melman, Project Coordinator, Artstream.org
Don Thompson President and CEO, nextPix.com
Moderated by: Kerry Weldon, Independent Feature Project
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2:30pm Maya
Deren Theater
Special Presentation:
Richard Fung's Family Trilogy
The Way to My Father's Village (1988),
My Mother's Place (1990) and Sea in the Blood (2000)
$$
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The final chapter in an informal trilogy about family history, Sea
in the Blood is Richard Fung's deeply affecting remembrance of his
sister Nan, whose early death from a hereditary blood disease is refracted
through life with his lover Tim, a longtime AIDS survivor. In tribute
to Fung's extraordinary, sustained achievement in experimental documentary,
MIX presents the complete trilogy, including The Way to My Father's
Village, which sets Fung's search for his Chinese roots against
his father's cultural self-denial; and My Mother's Place, which
explores the formation of race, class and gender under colonialism
through his mother's saucy and poignant recollections.
4pm
Courthouse Theater
I've Been Framed: Queer Youth Media
$$
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Youth media necessitates sensitively constructed context, which
re-frames representation in a moment of new mainstream queer youth
visibility. These videos demonstrate the formal eclecticism of alternative
youth-produced works, ranging from the rough improvisation of collective
productions to recognizably avant-garde personal works, disrupting
the possibility of a common "queer youth voice." A dynamic crowd
of new young audiences MIXed with the usual suspects from queer
alterna-media promises a powerful exchange. Panel to follow. Curated
by Paper Tiger TV.
Films in this Show
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5pm Maya
Deren Theater
The Trouble with Normal
$$
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The Trouble with Normal features work which contemplates the exclusionary
aspects of behaviors, positions or identities. Specifically, these
films and videos deconstruct, interrogate or parody norms to which
one must conform in order to be granted a particular identity or participatory
rights within a group. The program explores the means by which representation
and language offer limited options for conceptualizing a self and
ultimately, the dictates and dilemmas of belonging. Featuring work
by Paula Durette, Ray Rea, Kristin Anchor and Paul Chan. Curated by
Kathy Burdette.
Films in this Show
6pm
Courthouse Theater
Fuck Logic
$$
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We think we're so smart, with our super-conducting supercolliders,
Human Genome projects, artificial hearts and Theories of Everything.
Yet for all our faith in logic and reason, we can't get enough temptation
islands, Viagra with crystal and pasty politician sex lives. Is
something amiss with the Enlightenment? These shorts take us on
a wild ride through the messy side of mind, compelling reminders
that our brains are squishy gray stuff with the consistency of a
good crème brulée. Featuring work by Ho Tam, Dean
Otto & Marjorie Thieman and Neil Goldberg. Curated by the Festival
Committee.
Films in this Show
7pm
Maya Deren Theater
MIX Mexico: Corazon de Quinceañera
$$
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You are cordially invited to the presentation in society of our
dearest daughter, Corazon de Quinceañera. At the celebration, you'll
be treated to Madonna as God on earth, cyborg Russian dolls, urgent
little boy-girls, the pain of love and love of pain, exquisite corpses
and the mechanics of dreams. And for dessert, there's a Jell-O that'll
send you into ecstasy! Curated by Claudia Pardo and Arturo Castelan.
Co-presented with the Mexican Cultural Institute of New York.
Films in this Show
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8pm Courthouse
Theater
Heavy Petting
$$
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For all those girls who got a funny feeling in their panties from
horseback riding and all those boys who didn't stop Rover from humping
their leg, these shorts delve into our collective beastly subconscious.
As queer sex becomes status quo, could it be that animals are the
next frontier for exploring the kinks of our desire, fantasies and
taboos? It ain't called doggy-style for nothin'. Featuring work by
Martha Colburn, Shawn Atkins, Amy Hill, Mirha Soliel-Ross, and Rick
Castro. Curated by the Festival Committee. Party to follow at Idlewild,
145 East Houston Street (between 1st and 2nd Avenue).
Films in this Show
9pm
Maya Deren Theater
Innovators Features
I Am Not What You Want
$$
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Directed by Kit Hung (2001, Hong Kong, 50 min.) New York premiere
Young hearts run free. Emerging director Kit Hung, one of the discoveries
of MIX 2000, returns with an impressively assured first featurette.
The tale of two students--one queer, one curious--sharing a Hong
Kong flat and gradually awakening to each other's charms, the film
gently instructs us not to ignore love when it's right in front
of us. Shot with a spare, precise lyricism and suffused with a meltingly
romantic feeling (hardened cynics, beware), I Am Not What You Want
signals the arrival of a major new talent in the world of queer
experimental cinema.
Shown with:
Surface Noise
Directed by Abigail Child (2000, USA, 20 min.)
Found footage exploring public and private space, organized formally
as a sonata, centered around work and issues of class: the divisions
between home and public, owners and workers, saturation and flow,
structure and improvisation. -- A. Child
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10pm Courthouse
Theater
Scared Stiff III: Bloody Sheets
$$
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Forget those flaccid horror movie sequels as MIX's trailblazing queer
horror spotlight Scared Stiff returns like a bat outta hell to strike
terror into your heart and slash pale imitators to ribbons. Lesbian
vampires (naturally), human sacrifice, skeletons with boners and serial
Internet stalkers converge in this coven of macabre and sexy shorts.
Featuring work by Jenelle Troxell, Wayne Yung, Shawn Durr and Bobby
Abate. Curated by the Festival Committee. Party to follow at Idlewild,
145 East Houston Street (between 1st and 2nd Avenue).
Films in this Show
11pm
Maya Deren Theater
Memorizing MIX: The First 15 Years
$$
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Program III: Shoot Fast, Play Hard, 1997-2000
Experimental filmmaking during the 20th century's final years investigated
the ultra-new and the formative past. Perhaps most memorable from
MIX's programming during this time was the in-depth engagement of
immediacy and improvisation in the moving image through Super 8mm
film and digital video. Both formats offer surprising aesthetic
similarities and relatively low-cost, innovation-inspiring potential
for filmmakers. This program highlights some of the most energetic,
enigmatic and enchanting Super 8 and digital video "instant visions"
that appeared over these past four years. Featuring work by Ximena
Cuevas, Martha Colburn, Rodney Evans and Lynne Chan. Curated by
Rajendra Roy, Executive Director, 1996-2000, and Anie S8 Stanley,
Artistic Director, 1997-2000. Come to the Memorizing MIX reception
at Wonderbar (505 East 6th Street) on Saturday, Nov. 17, 7pm.
Films in this Show
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12am Courthouse
Theater
Visions of Excess:
The Cutting
$$
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Directed by Peter Missotten & Bram Smeyers (2000, Belgium, 95 min.)
U.S. premiere
Two cuties--willowy Frank and lanky Wout--have committed an unspeakable
crime, and try to outrun reprisal by fleeing in opposite directions.
Somehow, they end up in the same spot--a nocturnal woods filled with
surreal surprises. When their assigned killer catches up with them,
the film morphs into a vertiginous Moebius-strip of eternal return.
Pitched exactly between horror and humor, with the three motormouths
riffing nonstop on everything from the Spice Girls to fluted knives,
The Cutting is a boldly experimental thriller that haunts the imagination
long after its breathtaking finish.
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